MIXES - FILE UNDER:

Minimal Wave

Readymix Cement 003 | Cover Image

Ready Mix Cement 003

16 September 2020

After a bit of a break Readymix Cement is back with a third instalment; the first as we go into the autumn of 2020.

Readymix Cement 002 | Cover Image

Readymix Cement 002

16 August 2020

With the recent passing of Unwound bassist Vern Rumsey, this mix starts with a more unique post-hardcore introduction of that band’s track “Corpse Pose” from their seminal album Repetition (1996). This is the second installment of Readymix Cement.

Readymix Cement 001 | Cover Image

Readymix Cement 001

6 August 2020

This is the first of a series of curated mixes as Possession Records, featuring an array of favourite tracks by new and old artists in the postpunk, synth, minimal, darkwave and other eclectic genres.

Heavy Leather Mix : Whitebelt Hardcore and Improvised Waves

Soft Riot Presents: White Belt Hardcore / Improvised Waves

1 March 2018

A double-sided cassette mix done for London’s Heavy Leather Productions: side one being some key influences and side two being a curated playlist of electronic and post-punk oddities.

Der Hammer | Mix 2 Image

Der Hammer : DJ JJD Selections 02

4 May 2015

A second mix of tracks for the Sheffield night Der Hammer.

Der Hammer | logo

Der Hammer : DJ JJD Selections 01

1 February 2015

This mix is selection of tracks I’ve been playing at Der Hammer containing tracks by new and classic synthesizer artists.

A Colder Consciousness | Logo

A Colder Consciousness #82

6 February 2014

Soft Riot goes into the Resonance FM studio with A Colder Consciousness, discussing music, playing tracks and then discussing those, resulting in this mix.

Soft Riot on TXTBK's CHVRCH XV BRXK3N 7ANGvAG3 Radio | Part 1

Soft Riot on TXTBK’s CHVRCH XV BRXK3N 7ANGvAG3 Radio | Part 1

19 September 2012

Part 1 of a 3-hour SOFT RIOT-curated playlist ion TXTBK’s CHVRCH XV BRXK3N 7ANGvAG3 Radio

White Lodge 005 | Synth Or Swim | Fad Gadget

White Lodge 005 : Synth or Swim

3 May 2010

A representative slice out of the pool of synth-saturated, future-thinking music that I love, namely between the years of 1978 to 1985.